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from the big city.
I alluded in my previous post that November had us primed for some travel afar and away, and in as much I had picked up a new sketchbook for that specific purpose. Over the recent long weekend, the family and I flew across the continent from our frozen little Canadian city, to the big city,
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looking across the river.
Breaking in a new sketchbook is a daunting moment. It’s not as if they are outrageously expensive, but after investing thirty bucks into a new Moleskine watercolour folio, peeling the plastic cover off, and quietly considering how great it was going to look full of lovely urban sketches, I couldn’t help but hesitate to put
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of a million little leaves.
The autumn weather and colours brought me on a long wandering walk this past weekend through the rolling single-track trails of our local river valley. Fifteen minutes of brisk strolling in the direction of the parklike preserve finds multiple opportunities to step into a wilderness that changes with the season. For a few days, literally
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of nature studies and pinecones.
Autumn arrived like an express train, passing between the trees with a gust of chilly wind and leaving behind a noticeable change in the mood. The leaves changed colour with its arrival, folding from a mature, ripe green hue to patterns of orange and red and yellow and brown. These are colours to which I
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of curious wildlife.
It didn’t take long for me to become a paper fanatic after I started working on my art more. One sketchbook lead to three or four sketchbooks which lead to a small stack of books, pads, and bricks, each designated for a purpose or a theme or a specific style of art. I have a